Ettore Tosi and Pietro Cattani get together in Milan for a cup of coffee. 21 years after HOTEL ITALIA
Up close and personal with Dario D’Alba. An exclusive, no-holds-barred video interview with Italy’s first gayporn star. 22 years after his debut in “Journey to Italy” and 20 after the legendary “Hotel Italia”. How was it all back then? What is Dario’s legacy? What is he up to these days? No better way to celebrate our own 21st b-day, here at LucasKazan.
Italian superstar PIETRO CATTANI (of “Hotel Italia” fame) comes back to LucasKazan on July 7th. Opposite Robbie Rojo in MY PROFESSOR
With real-life partners Marco Ramazzotti and Daniele Della Valle in “Hotel Italia”. How did the ‘lobby’ scene come together? What made the final edit and what did not? Porn magic revealed. For members only on LucasKazan
Behind the scenes of our first blockbuster: what really went on during the auditions for Hotel Italia? How were the locations scouted for and eventually locked? Find out on LucasKazan Watch Andrea Albani, Roberto Volta and many other soon-to-be stars taped for the first time: from Milan to Bologna, all the way down to Naples.
Erik is a graduate of the BelAmi Academy of Porn. I needed a pro for my first three features and Erik brought to the table an invaluable know-how in all three (Journey, The Summoner and Hotel Italia). Here’s a look at those skills and a tribute to his youthful energy and sexual magnetism. This is part 1 of 2.
I couldn’t help it: had to post some more mementos of Hotel Italia
On its 13th b-day. Pictured here Ettore Tosi, Marco Ramazzotti (with his boyfriend Daniele Della Valle) and Dario D’Alba –of Journey to Italy fame.
It was 1999. And yet, it feels like a whole other porn ‘era’. Back then, I was able to produce and schedule HOTEL ITALIA, much like I would an indie feature: a story to tell -and characters’ arcs to draw–, an expensive, scenic location on the Italian Riviera, a real crew (8 people, including a gaffer, a make-up artist, a Unit Production Manager and 2 staff photographers). Most importantly, back then it would ship thousands of VHS/DVDs and gain the critics’ support. Healthy profit margins encouraged producers to take risks, aim higher and boldly play with content/form… Do I miss those days? Of course. Will viewers ever grow tired of the reality craze and its aesthetical indifference? I hope so (pictured here, Ettore, Dario, Marian, Andrea)